Interpretation of the Gnossienne nº1 by Erik Satie changing the time parameter. I follow the score and the dynamics but the time of the piece is not the length of the notes. Time depends on the legth of the sound of each note when touched, until the sound of a note or chord is completely extinguished, I will not touch the following. So time is variable depending on the room, the listening and the piano.
To listen the hole piece:
There's also a publication made by Los Tambores